4/5/2021 - 11/5/2021 (Week 6 - Week 7)
Liew Li Wei 0338076
Bachelor of Mass Communication (Hons) Digital Media Production
Typography (Minor)
Task - Typographic Exploration & Communication (Text Formatting and Expression)
Liew Li Wei 0338076
Bachelor of Mass Communication (Hons) Digital Media Production
Typography (Minor)
Task - Typographic Exploration & Communication (Text Formatting and Expression)
LECTURES
Week 6: Screen & Print
Different Medium
In the past, typography was viewed as living only when it reached paper.
Now, typography exist not only on paper but on a multitude of screens.
Print Type vs Screen Type
- Type for Print:
- Intended for reading from print long before screen.
- Designer need to make sure the text is smooth, flowing and pleasant to read.
- Caslon, Garamond, Baskerville - good typeface and the most common typeface used in print because of their elegant and intellectual characteristics which lead to highly readable when set to small font size.
- Type for Screen:
- Intended for use on the web
- Optimized and often modified to enhance readability and performance onscreen
- E.g. Taller x-height, wider letterforms, more open counters, heavier thin strokes, etc.
- Verdana, Georgia - typefaces designed specifically for screen use
- Important adjustment - smaller sizes, more open spacing
- These factors serve to improve character recognition and overall readability
- Hyperactive Link / Hyperlink
- Word, phrase or image that allow you jump to a new document or section within the current document once you clicked it
- Normally blue and underlined by default
- Font Size for Screen
- 16-pixel on a screen is same as text printed in a book or magazine
- 20-24 point size is good enough for screen reading
- Pixel Differential Between Devices
Static vs Motion
- Static typography
- Has minimal characteristic in expressing words.
- Traditional characteristics such as bold and italic offer only a fraction of the expressive potential of dynamic properties
- Motion typography
- Allow typographer to "dramatize" type
- Film title credits present typographic information, bringing it to life through animation
- Often overlaid onto music videos and advertisements
- Often set in motion following the rhythm of a soundtrack
Week 7: -
(all lectures videos are watched from week 1-6)
Week 1-5:
https://liewstypography.blogspot.com/2021/04/typography-task-1-exercises.html
INSTRUCTIONS
<iframe
src="https://drive.google.com/file/d/1ZzHul3iOSlaX8cGeRlwR4be6neCvEoFW/preview"
width="640" height="480"></iframe>
Week 6:
Figure 1: Title draft for task 2 on week 6 |
Week 7:
Figure 2: Title draft for task 2 on week 7 |
Figure 3: Draft for task 2 on week 7 |
Figure 4: Draft for task 2 on week 7 |
<iframe
src="https://drive.google.com/file/d/1MK3wKCDl_Ti76UYMMpI19tEeDavH6U2D/preview"
width="640" height="480"></iframe>
FEEDBACKS
Week 6:
General Feedback:
Idea is not clear enough
Specific Feedback:
Play along with the layout and choose a word in the heading to focus on.
Week 7:
General Feedback:
The idea of the layout is still not clear enough and the word is not
expressed.
Specific Feedback:
Try not to separate the page into half, this will make the layout to be
static.
REFLECTIONS
Week 6:
Experience:
We were given time to work on task 2 but I had difficulties in producing ideas
for task 2 layout. Therefore, unlike other people, I produced only a headline.
Observations:
All the classmates are able to generate ideas for their task 2 and product a
few design in such short time.
Findings:
Having a good layout with a clear idea on it is harder than I expect.
Week 7:
Experience:
We started our class by introducing Mr. Vinod some music, then Mr. Vinod and
Encik Shamsul brief us on the Task 3A which require us to create a font of
our own.
Observations:
Creating a font is harder than I think as there are a lot of minor details
that we need to pay attention to.
Findings:
Different type of fonts are designed for different purpose. Therefore, have
a clear purpose and do tons of research before you design a font.
FURTHER READINGS
Basics of Design: Layout and Typography for Beginners demystifies the design process with straightforward and complete explanations of the fundamental principles that create first-rate visual design. Readers learn essential design terminology and develop their knowledge and skills through visual examples and hands-on activities that reinforce page layout and typography concepts. Side-by-side critiques of before-and-after page layouts help readers understand how to apply design principles to their own efforts and point the way to excellence in design.
This book offers a broad range of design solutions. Once essential visual organization systems are understood the designer can fluidly organize words or images within a structure, combination of structures, or a variation of a structure.
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